{"id":49281,"date":"2020-05-08T13:32:48","date_gmt":"2020-05-08T20:32:48","guid":{"rendered":"https:\/\/townhallseattle.org\/?p=49281"},"modified":"2020-05-08T13:32:48","modified_gmt":"2020-05-08T20:32:48","slug":"what-are-people-doing-virtual-museums","status":"publish","type":"post","link":"https:\/\/townhallseattle.org\/what-are-people-doing-virtual-museums\/","title":{"rendered":"What Are People Doing? Virtual Museums"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">Every week the Town Crier blog looks back at Seattle\u2019s near-forgotten <\/span><\/i><span style=\"font-weight: 400;\">Town Crier <\/span><i><span style=\"font-weight: 400;\">magazine to see what was happening, and talk about what\u2019s happening now. One of the largest sections of the original <\/span><\/i><span style=\"font-weight: 400;\">Town Crier<\/span><i><span style=\"font-weight: 400;\"> was \u201cWhat People Are Doing,\u201d highlighting things like, \u201cOne of the gayest parties of the season was the dance given by Mr. and Mrs. James Doster Hoge at the Golf Club\u201d and, \u201cYoungsters, taking advantage of the cold snap, have hunted up the old ice skates of various vintages and are indulging themselves in the rare sport of skating.\u201d In this series we\u2019re revisiting the old column and tying it to our community\u2019s current happenings, asking: \u201cwhat <\/span><\/i><span style=\"font-weight: 400;\">are<\/span><i><span style=\"font-weight: 400;\"> people doing?\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Even a century ago, Seattle was no stranger to the arts. \u201cThere are three small but exquisite bronzes by Prince Troubetzkoy now on view at the Fine Arts Gallery, 1218 Fourth Avenue, which are well worth seeing,\u201d wrote the <\/span><i><span style=\"font-weight: 400;\">Town Crier <\/span><\/i><span style=\"font-weight: 400;\">issue published May 8, 1920. \u201cThe work of this sculptor is accepted as being among the very best of its kind and of a marked individuality, so it is really a privilege for Seattle to be given an opportunity to see these bronzes.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Prince Paolo Petrovich Troubetzkoy (1866-1938) was an acclaimed artist and a sculptor, described by playwright George Bernard Shaw as &#8220;the most astonishing sculptor of modern times.&#8221; Interestingly, back then Seattle valued free access to the arts just as much as we do today\u2014even for viewing the work of a master such as Troubetzkoy. \u201cAdmittance is free and the public is cordially invited to attend,\u201d the <\/span><i><span style=\"font-weight: 400;\">Crier<\/span><\/i><span style=\"font-weight: 400;\"> informs us.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Troubetzkoy\u2019s work is no doubt inspiring to behold in person, though perhaps it\u2019s for the best that his sculptures have already come and gone. After all, if his work were here today our options for viewing it would be limited to livestream or video\u2014a somewhat diminished experience for a medium as tactile as sculpture.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Luckily we still have access to fine art in Seattle today, even while sheltering in place. The <\/span><a href=\"https:\/\/www.fryemuseum.org\/\"><span style=\"font-weight: 400;\">Frye Art Museum<\/span><\/a><span style=\"font-weight: 400;\"> had to suspend their exhibition of the work of video artist and photographer Agnieszka Polska, but an <\/span><a href=\"https:\/\/www.fryemuseum.org\/calendar\/event\/7448\/\"><span style=\"font-weight: 400;\">excerpt of the exhibit<\/span><\/a><span style=\"font-weight: 400;\"> is still viewable virtually! A far cry from bronzes, this installation of Polska\u2019s work follows a childlike sun who is a helpless witness to ethical and environmental collapse on Earth.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><a href=\"https:\/\/www.seattleartmuseum.org\/\"><span style=\"font-weight: 400;\">Seattle Art Museum<\/span><\/a><span style=\"font-weight: 400;\"> is also presenting their own suite of ways to enjoy the arts at home. They recently released a <\/span><a href=\"http:\/\/samblog.seattleartmuseum.org\/2020\/04\/virtual-art-talks-walkabout\/\"><span style=\"font-weight: 400;\">virtual discussion<\/span><\/a><span style=\"font-weight: 400;\"> reflecting on the ways that living in quarantine impacts our daily rhythms. Pam McClusky, Curator of African and Oceanic Art, ruminates on artwork propelled by walking, and the ways our rhythms adjust to each landscape we cross.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Be sure to check out the websites for these local museums and keep an eye out for future videos. Though we can\u2019t be there in person to enjoy these exhibits, it\u2019s certainly easier to engage with inspirational art today than it would have been 100 years ago.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Though, to be fair, we\u2019re probably not doing anything Troubetzkoy wouldn\u2019t have done if he\u2019d had the internet.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prince Paolo Petrovich Troubetzkoy (1866-1938) was an acclaimed artist and a sculptor who was described as &#8220;the most astonishing sculptor of modern times.&#8221;<\/p>\n","protected":false},"author":1,"featured_media":49282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6,20],"tags":[],"class_list":["post-49281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-town-crier","category-what-are-people-doing"],"acf":[],"_links":{"self":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/posts\/49281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/comments?post=49281"}],"version-history":[{"count":0,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/posts\/49281\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/media?parent=49281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/categories?post=49281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/tags?post=49281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}