{"id":68374,"date":"2026-01-27T11:18:37","date_gmt":"2026-01-27T19:18:37","guid":{"rendered":"https:\/\/townhallseattle.org\/?post_type=tribe_events&#038;p=68374"},"modified":"2026-03-05T11:23:49","modified_gmt":"2026-03-05T19:23:49","slug":"american-echoes","status":"publish","type":"tribe_events","link":"https:\/\/townhallseattle.org\/event\/american-echoes\/","title":{"rendered":"American Echoes"},"content":{"rendered":"<p data-aura-rendered-by=\"3698:354908;a\"><strong>Solstice Symphony Orchestra returns on March 14 with a FREE Saturday evening concert.<\/strong>\u00a0This performance also marks the debut of\u00a0<strong>Solstice Camerata<\/strong>, a new chamber-orchestra ensemble dedicated to repertoire written for smaller orchestral forces.<\/p>\n<p data-aura-rendered-by=\"3698:354908;a\"><em>Admission is free; tickets are required.<\/em><\/p>\n<p data-aura-rendered-by=\"3698:354908;a\">Titled\u00a0<strong>American Echoes<\/strong>, the concert will explore the \u201cAmerican sound\u201d across time, space, and perspectives. The program opens with\u00a0<strong>Wolfgang Amadeus Mozart\u2019s Symphony No. 25<\/strong>, which was\u00a0composed the same year that the Boston Tea Party took place in the US (1773), situating its urgency and unrest within a wider moment of philosophical and political upheaval. The program then turns to four unique American voices from different eras and backgrounds \u2014\u00a0<strong>Charles Ives<\/strong>,\u00a0<strong>Florence Price<\/strong>,\u00a0<strong>Caroline Shaw<\/strong>, and\u00a0<strong>Aaron Copland\u00a0<\/strong>\u2014 whose music engages with shared themes of doubt and devotion, inheritance and reinvention, intimacy and expansiveness.<\/p>\n<p data-aura-rendered-by=\"3698:354908;a\">Performed by a reduced ensemble in a chamber-orchestra setting,\u00a0<em>American Echoes<\/em>\u00a0invites close listening and rewards reflection.\u00a0<strong>Admission is free and open to all; tickets are required and will be available in advance.<\/strong><\/p>\n<p data-aura-rendered-by=\"3698:354908;a\">This program is supported, in part, by a grant from the Washington State Arts Commission.<\/p>\n","protected":false},"excerpt":{"rendered":"<p data-aura-rendered-by=\"3698:354908;a\"><strong>Solstice Symphony Orchestra returns on March 14 with a FREE Saturday evening concert.<\/strong>\u00a0This performance also marks the debut of\u00a0<strong>Solstice Camerata<\/strong>, a new chamber-orchestra ensemble dedicated to repertoire written for smaller orchestral forces.<\/p>\n<p data-aura-rendered-by=\"3698:354908;a\"><em>Admission is free; tickets are required.<\/em><\/p>\n<p data-aura-rendered-by=\"3698:354908;a\">Titled\u00a0<strong>American Echoes<\/strong>, the concert will explore the \u201cAmerican sound\u201d across time, space, and perspectives. The program opens with\u00a0<strong>Wolfgang Amadeus Mozart\u2019s Symphony No. 25<\/strong>, which was\u00a0composed the same year that the Boston Tea Party took place in the US (1773), situating its urgency and unrest within a wider moment of philosophical and political upheaval. The program then turns to four unique American voices from different eras and backgrounds \u2014\u00a0<strong>Charles Ives<\/strong>,\u00a0<strong>Florence Price<\/strong>,\u00a0<strong>Caroline Shaw<\/strong>, and\u00a0<strong>Aaron Copland\u00a0<\/strong>\u2014 whose music engages with shared themes of doubt and devotion, inheritance and reinvention, intimacy and expansiveness.<\/p>\n<p data-aura-rendered-by=\"3698:354908;a\">Performed by a reduced ensemble in a chamber-orchestra setting,\u00a0<em>American Echoes<\/em>\u00a0invites close listening and rewards reflection.\u00a0<strong>Admission is free and open to all; tickets are required and will be available in advance.<\/strong><\/p>\n<p data-aura-rendered-by=\"3698:354908;a\">This program is supported, in part, by a grant from the Washington State Arts Commission.<\/p>\n","protected":false},"author":5,"featured_media":68375,"template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":""},"tags":[],"tribe_events_cat":[57],"class_list":["post-68374","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-rental-partner-events","cat_rental-partner-events"],"acf":[],"_links":{"self":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/tribe_events\/68374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/users\/5"}],"version-history":[{"count":0,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/tribe_events\/68374\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/media\/68375"}],"wp:attachment":[{"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/media?parent=68374"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/tags?post=68374"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/townhallseattle.org\/wp-json\/wp\/v2\/tribe_events_cat?post=68374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}